An Orchestral Conductor's guide to working with choirs.

New to EverythingConducting, we have the EC Interview! This week we sit down with Tito Muñoz, MD of the Phoenix Symphony to talk Concerti!

In whatever way you come to wind music, here are a few thoughts to make your journey more musically enjoyable.

Everything Conducting founding team member, Ankush Kumar Bahl, is joined by recent E.C. contributor, Michelle Merrill, in writing the...

You have finally made it: years of study, practice, dedication, and perseverance have landed you your first conducting job. You can’t...

I was accepted as a postgraduate student at the University of Music and Theater in Leipzig on Robert Schumann’s 200th birthday. The...

This article shares our story of commissioning Leanna Primiani to write a piece for Anna Edwards and The Seattle Collaborative Orchestra.

In this article I offer a few suggestions for holiday compositions (specifically for the December holidays) by women and/or BIPOC composers.

If the thought of accompanying a singer at the piano makes you break out in a cold sweat, then this article is for you!

Here I discuss the most important aspects of cover conducting in order for you to best prepare for the week and get the most out of it!

Is there a difference between men and women conductors? This question is discussed in my dissertation, 'Gender and the Symphonic Conductor'

Should I be a conductor? Asking yourself this question at the beginning is a very good idea. Lets tackle this from the start...

It’s time to become a pop star, or at least work with some! Helpful tips for working with Guest Artists on Pops Concerts.

A look into the process of applying and auditioning to be an assistant conductor.

Opera singers are not like other musicians, so we have to approach them in a different way. Here are a few practical guidelines…

We are excited to introduce you to our new website “Everything Conducting.” An inclusive place to learn, share, and advance our craft.

In this article, I will offer my humbly submitted thoughts on how to navigate the strange and wonderful world of working with a choir.

NEVER argue with a choreographer or ballet master about tempo. They are ALWAYS right!

Congratulations, you’re going to be conducting a movie in concert. Now roll up your sleeves because you’ve got a lot of work ahead of you.